A Soft Knee Uses Which Two Controls of a Compressor
Compression usually reduces the level of a signal. A high number gives you a gradual turn-on called a soft knee while a low number means that it will start to compress as soon as the signal reaches the threshold level called a hard knee.
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Makeup gain controls the level of the signal leaving the compressor.
. By Sweetwater on Jul 6 1999 1200 AM. There is a bend in the line making the compression gradual until it reaches the maximum ratio dialed in. Examples of the mix parts Soft Knee is usually most well-liked.
Whereas with a hard knee compression is only applied once the threshold has been reached. One other important distinction is that hard knees are more accurate in what theyre doing because theres less variation depending on how high or low your input level was before hitting the compressor. Some compressors allow you to control the knee setting.
Set a soft knee however and the signal will start to be compressed at a low ratio as it approaches the threshold level then at a higher and higher ratio as it crosses the threshold eventually reaching the full ratio that you have set. Experiment with varied Knee and Attack combos for fascinating mix results and sounds. Given a rather wide soft-knee range the resulting curves can look and sound really smooth and some examples at different ratio settings are shown in plot 2.
Think of it like a step on set of stairs. Below that curve two basic soft-knee variations are shown all working with 21 ratio. In some situations the compression becomes very easy to hear.
Soft knee values will end in an extra homogenous and refined sound of your mix components whereas Hard Knee values will make the sound of your compression extra obvious. A soft knee reduces the potentially audible transition from uncompressed to compressed and is especially applicable for higher ratio settings where the changeover at the threshold would be more noticeable. Sometimes such soft-knee curve behaviour is referred to as over easy compression since.
A Hard knee is the opposite. Or turn the output level down if its clipping. Maintaining a great simplicity of use this unit offers several features not commonly available in compressors look ahead hardsoft knee above threshold easy monitoringThe perspective used in designing CX1V.
There are two types of knee setting hard and soft. The settings chosen help bring out the. The knee control determines how fast the compressor or a gate or any other dynamics processor turns on after it reaches threshold.
Use the makeup gain to bring the signal level back up after compression occurs. Hard knee compressing happens when the signal gets loud enough while soft-knees will compress at any volume as long as you have set it to do so with the threshold knob. CX1V is a professional compressorexpander available as a VST plug-in.
W - soft knee width soft knee extends from T W 2 up to T W 2 R - compression ratio. The attack-knob defines how fast the compressor reacts to the audio signal. Compression and Dynamic Processing.
A type of compression where the onset of compression is gradual. Threshold Ratio Attack and Release are. It is quite difficult to do so for a soft knee especially if you want to control the margin around the treshold precisely while maintaining a.
This affects how aggressive the compression will kick in. As you can see in the diagram a soft knee allows for a smoother and more gradual compression than a hard knee A soft knee allows for a smoother and more gradual compression than a hard knee Attack Time. Hard knee is the default setting on most compressors and is good for harder sounds like drums.
Both hard- and soft-knee compression have their uses. The soft knee compressor is governed by the equation. A soft knee slowly increases the compression ratio as the level increases and eventually reaches the compression ratio set by the user.
Soft Knee Compression Share this page. Vocals Guitars Bass Guitar. If you want to squash a signals transients quickly youll want hard knee compression.
The knee is the way in which the compressor reacts to the signal. Knee adjusts how gradually or abruptly compression occurs as the signal approaches the. If the angle is very gentle the compressor kicks in very gently as the signal crosses the threshold and the knee is soft like the knee of a person sitting in a recliner.
Hard knee compression reduces the gain abruptly when the signal exceeds the threshold. Lightweight Soft Knee Compressor 102 Download Free Lightweight Soft Knee Compressor 102 Download Lightweight Soft Knee Compressor 102 comes with description online manual and use guide. A soft knee is when you make the transition smooth even if in the end the compression is really high.
Hard knee part of Audio Foundations. As soon as the signal reaches the threshold it gets fully compressed. Some compressors will even allow you to control the selection of any position between the two types of knees.
A compressor control thats often overlooked is called the knee. Y G x G x G T W 2 x G 1 R 1 x G T W 2 2 2 W x G T W 2 T x G T R x G T W 2. This will be much more noticeable.
In normal or hard knee compression when the signal reaches the threshold the unit immediately begins to compress at whatever ratio is set. Other Basic Controls On A Compressor. Join Brian Lee White for an in-depth discussion in this video Demystifying compression controls.
With a soft knee setting compression is gradually applied as the signal reaches the threshold. Soft knee compression introduces gain reduction gradually as the signal level. But any compressor that has a knee control would be suitable.
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